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This text traces a path from practice to research. It opens with three short scenes from my own artistic work—pantomime, still life drawing, and scenic painting. Each captures a concrete moment of making, observed through first-person inquiry.
These scenes serve as a starting point: they give rise to questions about the trainability of imagination and its role as a skill. The second part presents imagination games—practical, experimental formats developed to investigate such questions. The closing section situates this method within the broader frame of my doctoral research and offers a glimpse of a first prototype of the approach.
Text: Niklas Maranca